Coming of Age in Hong Kong

Coming of AgeAn Asian Cha reading series event.

Join me and David McKirdy as we discuss poetry, writing, growing up in Hong Kong, and the ever elusive idea of ‘Home.’ Discussion will be moderated by Cha’s illustrious co-editor, Tammy Ho Lai-Ming.

I will be previewing excerpts from my debut collection of poetry; ‘All the Words a Stage’ (Chameleon Press) out in May.

More info on the Asian Cha event page.

Hope to see you there!

 

Help! I’m appropriating my imaginary people

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I read my first Steinbeck during December’s annual bookmas, and ‘East of Eden‘ became an instant favourite. I like how the story felt coaxed through its characters; a tale that is already salacious and mad and allegorical and no less literary mastery — but the characters, full, imperfect, timeless really stood out. I love how each person wove into or contrasted against the backdrop of the Salinas Valley. It left me with a feeling of completeness, a reader’s nirvana at the end of a book.

Reading during the holidays often feels like a headfirst dive through a book, wholly immersive, with the added benefit of having the time to back-stroke through the story later on, sometimes with my writing goggles on. This is in part why I started this rather bookish instagram – to reflect and connect with other book nerds.

The Salinas Valley features heavily in Steinbeck’s work, bringing to mind the adage ‘Write what you know.’ I read The God of Small Things‘ prior to ‘East of Eden‘ – another book that’s been on my mental ‘to read’ shelf for over a decade, which features another kind of river and another parochial setting conveyed with an intimate understanding of landscape, a carbon copy memory that transfers naturally when written down, making it a richer, authentic read. It’s why I crave Japanese food after reading Murakami. Ever notice how his characters pay attention to their food? The detail is both wonderful and cruel.

This has been on my mind recently,  as a third-culture poet, writer, whathaveyou. As someone who was born in Sri Lanka, grew up in Hong Kong, and spent some of my formative years in the Philippines. Reared on a post-colonial hangover, snacking on morsels of American media. Write what you know becomes an existential balance of what you’ve observed, and what you think, and what needs context, and a voice that changes several times. How the hell does one manage that, when I can’t even tame my own accent? (Bidialectalism – see, it’s a thing.)

Ruthless rootlessness. There are several places I can pull from, but what’s right for the character can be overwhelming when there is no default setting.

Naturally the only way out of this is to write myself out of it. Narrative voice comes easy – but when dabbling in longer-form writing, my fingers stumble on my keyboard when voicing characters. Some conversations sound thin because the writing is rushed, other times it’s because of a lack of character development – and more often than not, for me it’s because I can imagine a character like an avatar builder at the beginning of a gaming console. And like in a gaming console, I can imagine that character accessing multiple worlds. Temptation is rife.

Is this why fantasy or alternative reality as a genre does so well amongst my fellow third-culture friends, not just as readers but as writers too? With the story I’m currently writing, there is temptation to move into a completely different world where place does not matter, but this would be too much of a cop-out and render the whole exercise moot. Although its obviously not the case for all writing, I’ve decided that backdrop matters to this particular piece.

The other consideration is when fantasy plays nice with reality. There is an undeniable Englishness that underpin Neverwhere, Harry Potter, the Thursday Next  and His Dark Materials series’.

So either way, I need to pick a lane and allow myself the license to stay in it.

Bugger.

HK20: A Roundup of the Best Reads

Fantastic coverage and interesting perspectives around the 20th anniversary of Hong Kong’s handover. Reflection and viewpoints from those that are still here, and from those that left. A look at the social and political climate at the time, what has changed, and what has more or less stayed the same. Great economic analysis and the current state of play, and decidedly quieter projections this time around of what could be next. Excellent writing all round.

HK CN

Image Credit: Ka Ming via Twitter

My favourites below –

Banana Blueberry Bread 


A not-too-sweet recipe which makes the fruit the star of this fluffy and moreish tea-time loaf.

Ingredients

  • 185g plain flour
  • 2.5 teaspoons baking powder
  • 1 teaspoon cinnamon
  • Pinch of salt
  • 60g butter, melted
  • 50g packed brown sugar
  • 50g coconut sugar
  • 1/4 cup milk
  • 1 egg, lightly beaten
  • 1 teaspoon vanilla extract
  • 2 mashed bananas
  • A couple of handfuls of fresh blueberries
  • 1 tablespoon maple syrup

Method

  1. Preheat oven to 190 degrees celcius
  2. Grease and flour a loaf tin.
  3. Sift the flour, baking powder, cinnamon and salt in a large mixing bowl.
  4. Stir in the melted butter and sugars until combined.
  5. Add the milk, egg, vanilla and fruit and mix until just combined.
  6. Finish with a quick stir-in of the maple syrup
  7. Pour the batter into the prepared tin and bake until a skewer inserted into the middle comes out clean.*

*Cooking time varies. I have a small oven which generally means quicker bake time. My loaf cooks in about 35-40 minutes with some tin foil introduced half way to ensure the top doesn’t burn. I would estimate a cook time closer to an hour for conventional sized ovens.